Samora Pinderhughes to unveil new landmark exhibit at MOMA: 'Call and Response' opens January 24
Samora Pinderhughes. (Photo credit: Walter Wlodarczyk)

Samora Pinderhughes to unveil new landmark exhibit at MOMA: ‘Call and Response’ opens January 24

COMES AMIDST MILESTONE YEAR FOR THE ACCLAIMED ARTIST NAMED ADOBE CREATIVE RESIDENT AT MOMA, A PIONEER WORKS VISUAL ART & MUSIC RESIDENT

WATCH HIS RECENT TED TALK/PERFORMANCE HERE

NEW MIXTAPE BLACK SPRING OUT NOW IN COLLABORATION WITH THE HEALING PROJECT

October 16, 2025 – Award winning pianist, composer, vocalist, and multidisciplinary artist Samora Pinderhughes’ landmark exhibit at MOMACall and Response, will open January 24 and run through February 15. Featuring a series of evening performances in the Kravis Studio and a public program developed with community partners, the exhibit will also see an installation of Pinderhughes’ new film REAL TALK remaining on view during Museum hours. 

Call and Response caps Pinderhughes’ tenure as the 2025 Adobe Creative Resident at MoMA, which has seen him focus his work on individuals impacted by the prison industrial complex to imagine a world based around healing rather than punishment. The exhibit seeks answers to the questions, “How do we survive in America?” “How do we support each other?” and “What if we built a world around community care?” 

This has been a milestone year for the artist: Pinderhughes’ new mixtape, Black Spring, made in collaboration with The Healing Project, released in July to acclaim from The New York TimesNPR MusicBrooklyn Vegan and more—listen/share here. Formed around new songs inspired by Pinderhughes’ sold-out performance in February at Harlem’s legendary The Apollo, the mixtape celebrates the 100th birthyear of seminal author and activist James Baldwin, and challenges racial capitalism, police violence, mass incarceration, and systems of domination both in the U.S. and globally, providing a clear message of resistance. 

Pinderhughes recently performed four moving songs for a special Ted Talk—“Tongues,” “Gatsby,” “Masculinity” and “Process/Forgive Yourself”—accompanied by members of his tight knit New York community, including Elena PinderhughesElliott Skinner and The Healing Project Choir—watch here.

In addition to his MOMA residency, Pinderhughes has been named a Pioneer Works Visual Art & Music Resident; he’s also currently getting his Ph.D. at Harvard University, where he teaches an undergraduate class titled “Music in Social Practice: Sounding the Chorus of Community.’

CALL AND RESPONSE: MOMA 2026

January 24—February 15

Organized by Martha Joseph, Associate Curator, with Sibia Sarangan, Curatorial Assistant, Department of Media and Performance, and Hannah Fagin, Associate Educator, Artist Programs, Department of Learning and Engagement. Performances produced by Kate Scherer, Senior Manager and Producer, with Kayva Yang, Assistant Performance Coordinator, Performance and Live Arts.  

THE PLAYLIST — This Week’s Most Notable New Tracks
“Black Spring” doesn’t cushion bleak tidings. [“Blood”] is an elegy, an accusation and a confession, sparing no one.”

WHO
About Samora Pinderhughes
Samora Pinderhughes is a composer, pianist, vocalist, filmmaker and multidisciplinary artist known for examining sociopolitical issues and fighting for change through his art. Lauded as “one of the most affecting singer-songwriters today, in any genre” by The New York Times and “a magical being” by Forbes, Pinderhughes is shaping new worlds through his art, his honesty, and his vulnerability.
Born and raised in the Bay Area, Pinderhughes began playing music at two years old and went on to study music at Juilliard where he met his primary artistic mentor, MacArthur-winning playwright Anna Deavere Smith. Pinderhughes has collaborated and performed with a number of artists including Common, Robert Glasper, Karriem Riggins, Kyle Abraham, Sara Bareilles, Daveed Diggs and Herbie Hancock, and his works have been commissioned by institutions including Carnegie Hall, the Sundance Film Festival, The Kitchen, Yerba Buena Center for The Arts, and the Kennedy Center.
In addition to the aforementioned awards and appointments, Pinderhughes also recently won an Emmy for his work as the composer, pianist and vocalist on Michéle Stephenson and Joe Brewster’s documentary, “Going to Mars: the Nikki Giovanni Project,” which also earned a place on the Oscars shortlist on top of IDA and Cinema Eye Honors nominations for Best Music Score.
Pinderhughes’ third full length LP Venus Smiles Not in The House of Tears saw critical acclaim from WNYC All Of It, who welcomed him on for an on air segment, and Questlove praised, “Man….. @samorapinderhughes’ music spoke to me tonight. […] For those doing the work & are on the path of improvement (& coming from a former self loather——it’s so easy to get caught in that funk)—— I highly recommend seeing his show when it comes to your town. His band His singers at al—— superb gut punching performance tonight—— I felt understood tonight. Kudos.”
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