ABOUT TERRI LYNE CARRINGTON
Terri Lyne Carrington is an NEA Jazz Master, Doris Duke Artist, and three-time GRAMMY Award-winning drummer, composer, producer, and educator. She serves as Founder and Artistic Director of the Berklee Institute of Jazz and Gender Justice, as well Artistic Director for both Next Jazz Legacy program (a collaboration with New Music USA) and the Carr Center in Detroit, MI. She has performed on more than 100 recordings over her 40-year career and has toured and recorded with luminaries such as Herbie Hancock, Wayne Shorter, Stan Getz, esperanza spalding, and numerous others. Her artistry and commitment to education has earned her honorary doctorates from York University, Manhattan School of Music and Berklee College of Music, and her curatorial work and music direction has been featured in many prestigious institutions internationally. The critically acclaimed 2019 release, Waiting Game, from Terri Lyne Carrington + Social Science, earned the esteemed Edison Award for music and a GRAMMY nomination. In the fall of 2022, she authored two books, Three of a Kind (The AllenCarringtonSpalding Trio) and the seminal songbook collection, New Standards: 101 Lead Sheets By Women Composers. Her current GRAMMY-nominated album, New Standards Vol.1 (Candid Records), and her visual art curatorial debut at Detroit’s Carr Center, Shifting the Narrative Part 1: New Standards, have accompanied the songbook release as part of the Jazz Without Patriarchy Project.
She is a 2022 inductee into the American Academy of Arts and Sciences and is co-executive producer and musical director for the newly formed Jazz Music Awards.
ABOUT JUDITH SHERMAN
An 18-time GRAMMY Award nominee and 13-time winner, including six for Producer Of The Year, Classical (at the 36th, 50th, 54th, 57th, 58th, and 64th GRAMMY Awards), Judith Sherman has made an indelible contribution to the catalogue of recorded classical music. Early in her career she was employed at WBAI-FM in New York City, beginning as an engineer and over the course of four years working her way up to become producer and then music director. During the summers of 1976 through 1994, she was the recording engineer for the Marlboro Music Festival in Vermont, and she was audio faculty at the Banff Centre in 2006 and 2008. A member of the board of directors of Chamber Music America, Judith served first as secretary in 2002, and thereafter as vice-president. She currently works as a freelance recording producer and engineer in New York.
Sherman has collaborated with such artists as Rudolf Serkin, Ursula Oppens, Marc-André Hamelin, Llŷr Williams; with the Kronos Quartet and the Cleveland, Ying, Takács, and Pacifica String Quartets; the American Brass Quintet and Eighth Blackbird; and with conductors such as Christoph Eschenbach, Donald Runnicles and David Zinman. Her recordings in the field of contemporary classical music have been particularly noted, including work with such composers as Steve Reich, Elliott Carter, Steve Mackey, Charles Wuorinen, John Adams, Shulamit Ran, David Rakowski, Philip Glass, Eric Moe, Joan Tower, and Terry Riley. Her recordings have appeared on many labels, including Nonesuch, Telarc, Cedille, New World, Avie, Albany, Signum, Hyperion, and Bright Shiny Things.
ABOUT THE RECORDING ACADEMY
The Recording Academy represents the voices of performers, songwriters, producers, engineers, and all music professionals. Dedicated to ensuring the recording arts remain a thriving part of our shared cultural heritage, the Academy honors music’s history while investing in its future through the GRAMMY Museum®, advocates on behalf of music creators, supports music people in times of need through MusiCares®, and celebrates artistic excellence through the GRAMMY Awards — music’s only peer-recognized accolade and highest achievement. As the world’s leading society of music professionals, we work year-round to foster a more inspiring world for creators.
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