PARK CITY, UTAH, JANUARY 26, 2026 — Today at the 2026 Sundance Film Festival, the nonprofit Sundance Institute, in partnership with the Alfred P. Sloan Foundation, announced the recipients for the Science-In-Film initiative’s Feature Film Prize and artist grants. At the annual reception, the Alfred P. Sloan Feature Film Prize was awarded to In The Blink of An Eye from director Andrew Stanton and screenwriter Colby Day, which centers around the connection between science and human existence. In addition, the recipients of three artist grants to support projects currently in development were announced: Sonia Kennebeck and Tetiana Anderson received the Sloan Episodic Fellowship for Speak for the Dead: Excited Delirium, Daeil Kim was granted the Sloan Development Fellowship for Stem, and Alan Fischer and Jonathan Cuchacovich were awarded the Sloan Commissioning Grant for Cyborg Beast. The filmmakers received a total of $84,000 in cash awards and were honored at a reception hosted by the Alfred P. Sloan Foundation in Park City. Prior to the reception, the Feature Film Prize winners Andrew Stanton and Colby Day participated in a Sloan Foundation–sponsored Beyond Film event, The Big Conversation | From Fire to Flight: Humans, Technology and Time.
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Ahead of the Feature Film Prize reception, guests attended a Beyond Film talk, The Big Conversation | From Fire to Flight: Humans, Technology and Time, hosted by the Alfred P. Sloan Foundation, that focused on the themes explored in In The Blink of An Eye, this year’s Feature Film Prize winner. Moderated by neuroscientist Dr. Heather Berli, and featuring In The Blink of An Eye director Andrew Stanton and screenwriter Colby Day, Co-Founder and CEO of Aurelia Institute Ariel Ekblaw, and IHO Research Scientist and Professor at ASU Institute of Human Origins Denise Su, the panelists discussed the shifting and vital relationship between science and film.
For over 20 years, the Science-In-Film initiative has supported emerging filmmakers whose work heightens public awareness of science in our culture, portrays the full range of humanity engaged in scientific and technological pursuit, illustrates the vital and unique role of scientists and their work in our society, and highlights the special possibilities of communicating through independent film. In addition to the prize, the Sloan-funded initiative underwrites the development of projects with science and technology themes through the Sloan Episodic Fellowship in the Sundance Institute Episodic Program and the Sloan Development Fellowship and Sloan Commissioning Grant in the Sundance Institute Feature Film Program. Over 50 scripts have been developed or are currently in development through this program, with numerous feature films produced and released theatrically. The initiative also expands public discourse about science and cinema through a dedicated panel at the Sundance Film Festival. Panelists and jurors over the past 21 years have included Alan Alda, Paula Apsell, Darren Aronofsky, Kerry Bishé, Mike Cahill, Sean Carroll, Antonio Damasio, Ann Druyan, Jim Gaffigan, Brian Greene, Clark Gregg, Dr. Mandë Holford, Tenoch Huerta, Clifford V. Johnson, Flora Lichtman, Brit Marling, Marvin Minsky, Jonathan Nolan, Sev Ohanian, Theresa Pak, Alex Rivera, Octavia Spencer, John Underkoffler, Chiwetel Ejiofor, Heather Berlin, Leland Melvin, Jill Tarter, Tracy Drain, and Cady Coleman.
Previous recipients of the Alfred P. Sloan Feature Film Prize include Cristina Costantini’s SALLY (2025), Sam & Andy Zuchero’s Love Me (2024), Sophie Barthes’ The Pod Generation (2023), Kogonada’s After Yang (2022), Alexis Gambis’ Son of Monarchs (2021), Michael Almereyda’s Tesla (2020), Chiwetel Ejiofor’s The Boy Who Harnessed the Wind (2019), Aneesh Chaganty and Sev Ohanian’s Searching (2018), Michael Almereyda’s Marjorie Prime (2017), Ciro Guerra’s Embrace of the Serpent (2016), Kyle Patrick Alvarez and Tim Talbott’s The Stanford Prison Experiment (2015), Mike Cahill’s I Origins (2014), Andrew Bujalski’s Computer Chess (2013), Jake Schreier and Christopher D. Ford’s Robot & Frank (2012), Musa Syeed’s Valley of Saints (2012), Mike Cahill’s Another Earth (2011), Diane Bell’s Obselidia (2010), Max Mayer’s Adam (2009), Alex Rivera’s Sleep Dealer (2008), Chen Shi-Zheng’s Dark Matter (2007), Andrucha Waddington’s The House of Sand (2006), Werner Herzog’s Grizzly Man (2005), Shane Carruth’s Primer(2004), and Mark Decena’s Dopamine (2003).